Loreen Matsushima:
Fire and Ice

July 1 -August 30, 2026


@ Collins Pub / Smith Tower

Featured Image
“Blue Hope in the Future”, 2026, Monotype & Mixed Media on Paper Mounted on Canvas, 20”H x 24” W x 1.5” D.

Loreen Matsushima

Artist Bio:

Using multi disciplines, Loreen Matsushima’s art investigates contemporary issues affecting nature. She received an MFA, Pratt Institute, New York and a BFA, University of Hawaii. Ms. Matsushima is the recipient of a Pollock-Krasner Foundation Grant, Pratt Studio Award, (with a matching grant from the Ford Foundation,) the Honolulu Printmakers’ 50th Anniversary Exhibition Juror’s Award and 2019 & 2019 Purchase Award, Fresh Perspective I & II, Seattle Arts and Culture Public Arts. Her work has been exhibited in Crossings 1989 France/Hawaii, Mona Bismarck Foundation in Paris, France; Soho Center for Visual Artists NYC, Contemporary Art Center of Hawaii, Nardin Galleries in New York City, LAARTCORE, the Seattle Center’s 2016 Art Walk, Port Angeles Fine Arts Center’s Webster Sculpture Garden, and more. Her works have been published in Tidepools Magazine 2024 & 2026 editions. Ms. Matsushima taught art at the Brooklyn Museum of Art in 1984 -1986 and at the J. Paul Getty Museum in 1987 -1992.

Loreen Matsushima
Website:
https://loreenmatsushima.com/

Fire and Ice

Artist Statement:

I marvel at nature’s wonder, but in the face of a climate change crisis, I see how the effects of climate change have fundamentally altered the environment. I make art to respond individually to these concerns, but to be a part of a collective response to advocate change. Art can make an impact in addressing the current issues affecting our environment and hopefully, the act of changing the world can be possible through the power of art.

My “Fire and Ice” series highlights extreme weather conditions from wildfires to melting polar ice caps and glaciers. The wildfires are backdrops in “Running Out of Time,” which underscores “Time” as a luxury and as an existential dilemma because we are inherently the gatekeepers and we are responsible; yet, while witnessing real events unfold, connecting knowledge into action to make changes is a conundrum. In contrast, the glaciers in my backyard in the Olympic National Park are predicted by scientists to disappear in 2070 while in the North, dramatic changes caused by warmer weather are changing the landscape. My ice landscapes are imagined but foreshadow traces of leaves, trees and signs of beavers as implications of an evolving world in the North.

The works are monoprints (on paper mounted on canvas) using multiple printmaking methodologies such as potato chip bags, applying plaster or foil to a substrate surface. I shape the foil into tree forms or manipulate the plaster to create textural surfaces. The print is the blueprint for each work to which I incorporate other media such as collage, pencil, acrylic paint, pastels, or collage. to create an outcome that is the most impactful.


Public Viewing at The Collins Pub:
Every day, 11am - close (~9pm)
526 2nd Ave, Seattle, WA 98104

Pioneer Square First Thursday Art Walk:
Thursday May 7 and June 4, 2026 from 5-8pm

CoCA ShowWalls is a show opportunity for CoCA Artist in partnership with local businesses.