CoCA Digital Archive:
2006-2009
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2006
Shard
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2007
Some Places I Went Last Summer
Textural
Native Tongue
Photo Collages
Conversations
Mischief
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2008
Tales From the Shore
Three Paintings
Vessel Aesthetic
Food on the Table and a Roof over Head
Carbon Rings
Wounds
Spectacle of Improbably Creatures
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![Visual Poetry installation at CoCA Belltown Gallery - photo by Danilo Bonilla]()
2009
New Work
Visions of Negritude
All Along the Western Front
Western Landscapes
TAKAKO
New Work
Seattle Sketches
Yellow
Heaven and Earth I
Subjective Truth - What You See Is What It Is
Across the Divide
Visual Poetry
2009 CoCA Annual
2006
Shard
Exhibition Dates: February 11, 2006 - March 12, 2006
Location: CoCA, 410 Dexter Avenue North Curator: David Francis
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CoCA “Shard,” insightfully curated by Seattle poet David Francis, vividly explores the intersection of visual and textual art, featuring over 60 poetry-inspired works by 30 artists from the U.S. and Europe. - Seattle Weekly
Catholic kids know how to hurtle through Hail Mary's. Those who perfected that rapid mumble will relate to Erika Peterson's charcoal-on-blue cardboard painting, the prayer crammed into a corner and struck off. In a penance of 10, it's one down, nine to go.
Peterson's take on the Christopher Wool tradition of mangling words into art is part of "Shard," curated by David Francis. The show is bristling with originality and strangeness. It's a fluid mix of words made into objects and words that triumph over the objects that try to encase them.
Some of it looks easy to skip, and that's a mistake. Take Marc Dombrosky's box of found notes on paper. He has partial directions, mash notes and laundry lists. Simple enough, but there's a kick: He sews each letter, turning castoffs into keepers, tattooing them into our consciousness.
This isn't a show to breeze in and out of. Personally, I could spend an entire day on Jon Gierlich's installation of text fragments gathered on a two-year walking tour. If this is what's on the street, we all need to be looking down. - Regina Hackett
Added 04/12/2022
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Erika Peterson, Marc Dombrosky, Jon Gerlich, Judy Allen, David Baptiste-Chirot, Niko Vassilakis, Joe Keppler, Robert Campbell, and more.
2007
Some Places I Went Last Summer
Exhibition Dates: April, 2007 - June, 2007
Location: CoCA Belltown Gallery, 81 Clay St. Artist: Miguel Edwards Curator: Ray C. Freeman III
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The CoCA Belltown Gallery presents a single large mural by Seattle Artist, Photographer, and Sculptor Miguel Edwards. It was originally commissioned by Debra. Media is Acrylic on Panel with Sequenced LEDs. This installation is dedicated to Blyss.
This was the inaugural show of the CoCA Belltown Gallery.
Added 04/11/2022
Textural
Exhibition Dates: July, 2007 - August, 2007
Location: CoCA Belltown Gallery, 81 Clay St. Artist: Holly A. Senn
Curator: Ray C. Freeman III
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Textural, a site-specific installation, challenges viewers traversing an urban landscape to contemplate the life of the mind. Senn uses pages from discarded library books to create textures; the abstract forms are metaphors for the ways in which we gather and experience knowledge — the organic, non-linear process in which thoughts have a genesis and then are adopted, refuted, or discarded. Freeing viewers from literal reading, the reconfigured texts enable contemplation of the larger influences of a textural landscape.
Added 04/11/2022
Native Tongue
Exhibition Dates: April 1, 2007 - April 7, 2007
Location: Shilshole Bay Beach Club / 6413 Seaview Ave N.W. Artist: Laura Castellanos
Curator: Joseph Roberts
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A "bummerbunny" project.
Music provided by 206blend.com: Joe Matt D., Jimmy Hoffa, Tommy Long.
Added 04/12/2022
Photo Collages
Exhibition Dates: September, 2007 - October, 2007
Location: CoCA Belltown Gallery, 81 Clay Street Artist: John Schuh
Curator: Ray C. Freeman III
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John Schuh is a photographer who creates images in two steps, first by photographing his subject or thematic content from hundreds of different angles, and then cutting and assembling small prints of these images into a larger image at a much larger scale. The relationship between the larger and smaller images can be compared to a fractal, as the images are often self-similar at multiple scales.
Added 04/11/2022
Conversations
Exhibition Dates: Nov 16 - Dec, 2007
Location: CoCA Belltown Gallery / 81 Clay Street Artist: Joan Engelmeyer
Curator: Ray C. Freeman III
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Joan Engelmeyer's painting are familiar to Seattle art-lovers, but here is something you haven't seen before. A few years ago, Joan got interested in encaustic, and transitioned to a new media. Since then, her work has gradually become both more abstract and more sculptural. In this collection of new work, Joan's chairs grow right out of the wax, each one with a personality, a history, and a story to tell.
I paint life with an eye for the underlying nerve that makes experience powerful and personal. Through minimal detail and stylized human forms, I hope to catch the viewer unaware. They see a simple scene but feel a richer drama, one they've witnessed, or been apart of. I choose my subjects for their levels of meaning and expression. Encaustic and oil painting allow for the depth of the subject. I use my subjects as metaphors for larger themes, reinforcing them through the use of different surfaces, materials, and design elements. In the series, "Conversations", chairs represent the human form. Painting in wax gives them an organic, skeletal structure. Aerial compositions challenge the viewer to realize and accept objectivity. In each scene there are infinite perspectives and in no way are we able to say which is correct. We can only observe and wonder. By producing a series of paintings on specific subjects, I attempt to sift down to the basic elements of experience-the conflicting core of emotions that make life complex and compelling. In the end, I hope the viewers see a refracted glimmer of their own lives through my work.
- Joan Engelmeyer
Added 04/11/2022
Mischief
Exhibition Dates: Nov 15, 2007 - Jan 7, 2008
Location: Shilshole Bay Beach Club / 6413 Seaview Ave N.W. Artist: Brynda Glazier
Curator: Joseph Roberts
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Brynda Glazier is an artist, filmmaker, and experimental musician. She received her MFA in 2010 from the San Francisco Art Institute where she was granted the Dennis Patrick Gallagher Award for Excellence in Ceramic Sculpture. Her work was selected for the Cream from the Top: The Best of Bay Area’s Emerging Artists. Glazier is also a published writer and has presented her pseudo-fiction throughout the bay area, including the SFMoMA’s Living Room and San Francisco’s Lit Crawl.
Added 04/11/2022
2008
Tales From the Shore
Exhibition Dates: January, 2008
Location: CoCA Belltown Gallery / 81 Clay Street Artist: David Chula Tupper
Curator: Ray C. Freeman III
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A 2007 participant of CoCA's annual Painting marathon, as well as a veteran of many CoCA events, David has participated in numerous solo shows and group and juried exhibitions.
Most recent solo venues include the Debra Owens Gallery in San Diego, CA, and a show at the Friesen Gallery in Seattle, entitled "You're Innocent When You Dream".
Added 04/11/2022
Three Paintings
Exhibition Dates: February - April, 2008
Location: CoCA Belltown Gallery / 81 Clay Street Artist: Ronald Hall
Curator: Matthew Kangas
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Ronald Hall lives in Seattle, but grew up in Pittsburgh, Pennsylvania and studied at the Art Institute of Pittsburgh. He has had solo exhibitions at the International Gallery of Contemporary Art in Anchorage, Alaska; Custom House Studios and Gallery in Westport, Ireland; Gallery 110 in Seattle; and at the Susquehanna Art Museum in Harrisburg, Pennsylvania. "Ronald Hall and Jacob Lawrence" was organized by Kittredge Gallery, University of Puget Sound in 2006. His work is in the collections of Tacoma Art Museum and Green River Community College. He exhibits at Pacini-Lubell Gallery in Seattle.
Matthew Kangas guest-curated this show in conjunction with "Black History Month: Faces" at CoCA's Shilshole Gallery.
Added 04/11/2022
Vessel Aesthetic
Exhibition Dates: June 27, 2008 - July 20, 2008
Location: CoCA Belltown Gallery, 81 Clay Street Artist: Brian O'Neill
Curator: Ray C. Freeman III
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I find great satisfaction working with basic raw materials that can be coaxed and nurtured into objects that have shape and balance - a rhythm in their proportion and surface texture. It is my hope that some of these universal rhythms of nature are embodied in my pieces, evoking the simple strengths that reside in stone and the natural landscape.
Most of my forms are vessels. While not always “functional” in the traditional sense, each piece has an interior and an exterior - much like all of us. The visible form and the more hidden space inside is an anthropomorphic relationship I enjoy exploring.
- Brian O’Neill
Added 04/11/2022
Food on the Table and a Roof over Head
Exhibition Dates: July 31, 2008 - August 30, 2008
Location: CoCA Belltown Gallery, 81 Clay Street Artists: P.A. Stephens, Collin Delgado, Jeff Cornell, Eric Marts
Curator: David Chula Tupper
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To many enthusiasts, the tattoo emporium as an artistic statement in and of itself is an integral and vital part of the tattoo experience.
To coincide with the SeattleTattoo Expo (August 8-10 at the Seattle Center), and with a little help from his friends, guest curator David Chula Tupper has installed a (non-functional, but realistic) tattoo shop, complete with tattoo station, drawing station, needle making area, had and coat rack, etc., and assembled a show of artwork that you might find hanging in a tattoo shop as well.
Added 04/06/2022
Carbon Rings
Exhibition Dates: Sept 3-30, 2008
Location: CoCA Belltown Gallery / 81 Clay Street Artist: Scott Ezell
Curator: Ray C. Freeman III
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Seattle artist, poet, and musician Scott Ezell combines his poem-cycle "Carbon Rings" with his painted response to the New York Times website coverage commemorating the five year anniversary of the US war in Iraq.
The result is a human and humanizing response to the electric information and mechanical destruction which are a substructure of contemporary life.
Added 04/06/2022
Wounds
Exhibition Dates: Nov 5 - 30, 2008
Location: CoCA Belltown Gallery, 81 Clay Street Artist: Paul Tonnes
Curator: Ray C. Freeman III
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I have a scar on my torso, a reminder of a surgical wound made when I was an infant. It runs north to south, 4 1/4 inches long, 1 1/2 inches from my belly button, on the right. Look closely you can see the where the sutures entered and exited. The scar (I take it with me everywhere) is a constant reminder of my mortality and how lucky I am to be alive.
I don't know where this art came from, perhaps a meditation on my own personal wound.
- Paul Tonnes
Added 04/06/2022
Spectacle of Improbably Creatures
Exhibition Dates: October 1-31, 2008
Location: CoCA Belltown Gallery, 81 Clay Street Artist: Robin Oliver
Curator: Ray C. Freeman III
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Robin Oliver has created a world inhabited by creatures simultaneously familiar and enigmatic. Their world is defined by beautifully intricate drawings and paintings, but the creatures themselves have moved beyond the picture plane into our world, and hauntingly peer back at us as we examine them. Speechless as they may be, the stories that they nevertheless tell will make you shiver a little. Just in time for Halloween!
Added 04/06/2022
2009
New Work
Exhibition Dates: January 19-31, 2009
Location: CoCA Belltown Gallery, 81 Clay Street Artist: Marc Lindsay
Curator: Ray C. Freeman III
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Marc's work travels across all media and ranges from digital photography to sculpture and painting. He often deploys a printing technique to develop lines with texture which he subsequently applies to various surfaces (metal, glass, canvas). With a series of primal images the verge on "scribbling", he has developed an "alphabet" of characters which he recently traced back to his earliest childhood drawings.
- Ray C. Freeman III
Added 04/06/20022
Visions of Negritude
Exhibition Dates: February 11 - March 8, 2009
Location: CoCA Belltown Gallery, 81 Clay Street Artists: Richard Ewan, James "Buddy" Snipes, Annie Tolliver, Ronald Hall
Curator: Matthew Kangas
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Prominent art critic and curator Matthew Kangas has selected four artists to explore the legendary 20th-century idea of Africa and the African diaspora: Negritude. Originated by the Senegalese poet and politician Leopold Sedor Senghor (later president of Senegal) in the 1920s, Negritude is a fluid concept defined by the locale and context of the writer or, in this case, artist, in question.
Richard Ewan, Ronald Hall, Annie Tolliver and James "Buddy" Snipes offer four distinct visions of race and its cultural expressions. Ewan comes from an Anglo-Caribbean background, was born in London, and now lives in LA. Hall grew up and was educated in Pennsylvania where he has been honored with a solo museum show at the Susquehanna Art Museum as well as one-person exhibitions in Alaska and Ireland. Annie Tolliver and James "Buddy" Snipes are from the American Deep South. Their untutored visionary art deals with ambiguous stereotypes of African-Americans and their positions as cross-cultural influences.
Featured Image: Ronald Hall, "The Forgotten", oil on canvas, 2003 courtesy of Pacini Lubell Gallery, Seattle
Added 04/11/2022
All Along the Western Front
Exhibition Dates: February 20 - March 8, 2009
Location: Shilshole Bay Beach Club / 6413 Seaview Ave NW Artist: Tyler Kohlhoff
Curator: Joseph Roberts
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In an installation which complicates our sense of place and comfort in the American West, emerging artist Tyler Kohlhoff presents All Along the Western Front, an engaging and challenging meditation on power, landscape, and modern material culture.
Navigating the vacant habitats of the American West, his images mounted to large-scale found fluorescent light fixtures, glow with an eerie seduction. Clustered on the walls by geographic location and organized to mimic an oversized circuit the exhibit reflects the tension and uncertainty of a movement to identify, inhabit and conquer this topographical other.
Kohlhoff presents a physical and psychological journey; confronting the complexities and contradictions of living in a place one does not entirely understand.
Closing Celebration and Free Performance by Hair Envelope, Tin Can Tobacco Band.
Featured Image: Installation Photo by Tyler Kohlhoff
Added 04/06/2022
Western Landscapes
Exhibition Dates: March 11 - April 11, 2009
Location: Shilshole Bay Beach Club / 6413 Seaview Ave NW Artist: Jules Frazier
Curator: Joseph Roberts
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“What started out as a photographic series in color on The American Rodeo Queen has broadened to several collections, my most collected , Faded Icons of The West. From cowgirls and cowboys to old neon signage and landscapes the sepia-toned photographs are my interpretation of the code of the west and the people who live it. “
- Jules Frazier
Featured Image: Jules Frazier, "Queen Gretchen, St. Paul Rodeo, OR 1993", 33.5" x 50", C-Print, 1/5
Added 04/08/2022
TAKAKO
Exhibition Dates: April 14 - May 24, 2009
Location: Shilshole Bay Beach Club / 6413 Seaview Ave NW Artist: Sarah T. Skinner
Curator: Joseph Roberts
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Seattle based photographer, Sarah Skinner, relies on intuition, chance and her rubbernecking Lensbaby to capture images of her laptop screen from odd angles as she anonymously surfs the web.
The images are voyeuristic, as though peering through a neighbor’s window from behind a tree at night; screwing artistic etiquette, their content is blatantly ripped off the Internet.
Skinner did not want to recognize anyone, to rewind, re-shoot, question, ponder or reflect on why or when she clicked the shutter. She sought out weird, obscure images that evoked her blood, memory and imagination. These images became fodder used to create triptych narratives that are fraught with ambiguity and that no logical or creative mind can rationalize.
“Yet, you will try”, she says, “because that what humans do”. - Joseph Roberts
Featured Image: untitled, 1/5 digital triptych print, 26” x 102”, 2009, Sarah T. Skinner
Added 04/06/2022
New Work
Exhibition Dates: May 2-31, 2009
Location: CoCA Belltown Gallery / 81 Clay Street Artist: Kyle Cook
Curator: Derin Smith
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Through a variety of layering and mark making, the abstract figures of Kyle Cook's luscious oil paintings pulse and squirm to life.
Throughout my process, I distribute my impulses between the considered, responsive actions rooted in preconception and the involuntary actions ensuing from the suspension of prejudice… I aim to engage the viewer with a physical experience of moving through the painting and provide a visual solution alluding to narratives and symbols accessed in the imagination just beyond the surface of the painting. - Kyle Cook
Featured Image: Kyle Cook, "Passage", "Anchor", "Febris", 24" x 20" (ea), oil on canvas, 2008
Added 04/12/2022
Seattle Sketches
Exhibition Dates: May 26 - July 6, 2009
Location: Shilshole Bay Beach Club / 6413 Seaview Ave NW Artist: Tracy Boyd
Curator: Joseph Roberts
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Like many emerging artists, Seattle figurative painter, Tracy Boyd, longs to understand key “art scene” people. Who are they, really? What do they do, and what motivates them? She seeks this understanding because she feels these people are in the way of her artistic journey.
In this series, Boyd depicts Northwest art figures in a manner she imagines will expose aspects of the person beneath the persona. Sometimes using unlikely tools, Boyd loosely applies heavy oil paint in a manner that seems to sculpt her subjects. She often adds graphic elements to the canvas that leave the viewer with more questions than answers. She does this to leave –or perhaps create- ambiguity that emulates people’s lives. - Joseph Roberts
Featured Image: “Kangas”, oil on canvas, 36” x 36”, 2009, Tracy Boyd
Added 04/06/2022
Yellow
Exhibition Dates: June 11, 2009 - July 18, 2009
Location: CoCA Belltown Gallery, 81 Clay Street Artist: Mike (Mikela) Naylor
Curator: Derin Smith
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Come Celebrate Summer!
June is Solstice month, and I have filled a space with YELLOW! - Mike (Mikela) Naylor
Featured Image: Mike (Mikela) Naylor, "Yellow", installation view
Added 04/12/2022
Heaven and Earth I
Exhibition Dates: June 26-August 10, 2009
Location: Carkeek Park, 950 NW Carkeek Park Road in Seattle's Broadview neighborhood
Curator: David Francis Artists: Barbara De Pirro, Miguel Edwards, Aaron Haba, Meredith Hall and Vaughn Bell, Todd Lawson, Julie Lindell, Peppé, Stephen Rock, Gerry Stecca, Kristen Tollefson, and Sylwia Tur
Artist & Photographer: Miguel Edwards
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In collaboration with the Carkeek Park Advisory Council, Seattle Parks and Recreation, the Department of Neighborhoods, and the Associated Recreational Council, CoCA presented the first exhibition of temporary, outdoor sculptural installations in Carkeek Park organized around the theme of “Heaven and Earth.” Heaven & Earth was launched and curated by David Francis.
The sponsors asked artists for their interpretations of art and nature in a world of change. From the website: "Our parks are implicitly havens ('heavens') where we go to relax, recreate, and, in Carkeek's case especially, walk through the woods. Carkeek is widely considered one of Seattle's premier urban forests...Sunset Magazine recently named it #3 among America's top 10 urban parks. The artwork is constructed of primarily natural materials and is designed to have minimal impact on the park -- either decomposing organically, leaving 'no trace' -- or, when removed at the end of the display period, leaving the park in essentially the same condition it was prior to installation."
A full color catalog of the exhibition, created by CoCA Publisher Ray C. Freeman, featuring essays by CoCA curators David Francis and Joseph Roberts and statements from the artists, is available for purchase from the CoCA Museum Store.
The original limited-edition letterpress version of this catalog was the first volume in CoCA’s modern-day ongoing publication venture, now known as CoCA Press.
Heaven & Earth continues today as a project independent from CoCA. Site-specific environmental and land artists are encouraged to apply during the spring call for art. You can get more information about these artists and see their installations at the Heaven & Earth archive.
Added 05/10/17. Updated 06/17/2021
A full color catalog of the exhibition, created by CoCA Publisher Ray C. Freeman, featuring essays by CoCA curators David Francis and Joseph Roberts and statements from the artists, is available for purchase from the CoCA Museum Store.
The original limited-edition letterpress version of this catalog was the first volume in CoCA’s modern-day ongoing publication venture, now known as CoCA Press.
Subjective Truth - What You See Is What It Is
Exhibition Dates: July 8 - August 8, 2009
Location: Shilshole Bay Beach Club / 6413 Seaview Ave NW Artist: Momoko Sudo
Curator: Joseph Roberts
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Momoko Sudo blends Japanese aesthetics with contemporary abstraction.
In her LineScaping series, Momoko hand paints or draws a series of beautifully austere lines. They seem to manifest Zen meditation. Perhaps her “LineScaping” is inspired by the manner in which landscapes are depicted on topographical charts. But the paintings are so clean and abstracted that they become Op Art that at once floats on and sometimes pop out of the painting’s surface. Are the lines really moving?
Also on view are Momoko’s new experiments with resin collages that create unique images using familiar found objects. Her quest is to whet the viewer’s imagination -to invite the viewer to “see” familiar things in her work that does not, in fact, exist. Momoko enjoys playing with the abstract line between understanding and seeing.
Featured Image: Momoko Sudo, "Subjective Truth", installation view
Added 04/12/2022
Across the Divide: Contemporary Art from the Scablands and Beyond
Exhibition Dates: July 8 - August 8, 2009
Location: Shilshole Bay Beach Club / 6413 Seaview Ave NW Artist: Momoko Sudo
Curator: Joseph Roberts
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An exhibition of work from the "Dry Side" of the state, presented in an effort to counter the often the myopic perspective of the west side (especially Seattle but also the entire west coast strip), where there remains an assumption that isolation, however mitigated by technology, will always remain rooted in the vast landscape of the Inland Empire.
We forget that our issues between east and west are not a recent phenomenon but actually part of a cultural tradition that goes back thousands of years. West side Salish speakers and east side Sahaptin speakers evolved distinctly different cultural adaptations in prehistory, often engaging in trade and exchange. It is toward that end, finally, that we envisioned the exhibit, and toward that goal that we assembled in a convoy of CoCA officers and members and drove over the Spokane on Labor Day weekend a few weeks before the show opened. Perhaps it would have been simpler and more efficient to email or telephone one another, but we deliberately wanted to revisit that old technology of the face to face meeting, the excitement by the campfire when communities from different areas come together to re-energize and inspire one another in this world-wide era of “isolation.”
Added 06/18/2021
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A full color catalog of the exhibition, created by former CoCA Publisher Ray C. Freeman, featuring an essay by CoCA Curator David Francis and statements and bios for all artists is available for purchase from the CoCA Museum Store.
Visual Poetry
Exhibition Dates: October 13 - November 14, 2009
Locations: Shilshole Bay Beach Club / 6413 Seaview Ave NW Artist: Haris Purnomo
Curator: Joseph Roberts
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A graduate of Sekolah Tinggi Seni Rupa College of Fine art, Yogyakarta, Purnomo recently re-emerged, more than 30 years after shaking up the Jakarta art scene with the rebellious Kepribadian Apa (“Pipa”) art movement.
Tattooed babies pervade the content of Purmono’s work. “Each Indonesian child, newly born, carries the burden and debts of our past deeds”, he says. “…a baby, whoever its parents are, is a new human being, so that we can invest our hopes in children. I am perhaps too pessimistic to expect anything from ‘old human beings’. There is something good in thinking a thief getting caught and sent to jail is important, but it is more significant to ensure that children will not become thieves”.
After showing in New York and Miami in 2008, Purmono returned to his native Indonesia with a tour-de-force show in 2009 at Bentara Budaya in Jakarta, featuring the same paintings and the monumental installation of 100 life-size babies that CoCA brought to Seattle.
CoCA Curator, Joseph Roberts met Purmono at the Art Basel/Miami fairs in December, 2008. In his essay for the catalogue that accompanies the shows in both Jakarta and Seattle, CoCA Curator Joseph Roberts admits, “I was totally unprepared for what I saw. I had neither the benefit nor curse of context. A series of life size babies floating like cocoons in a spider web if viewed from afar; more like sublime spirits viewed at closer range…. I don’t know whether I should be afraid of or in love with Haris Purmono’s work - and I am afraid to ask; but I do, over and over again. Purmono’s work is beautifully haunting and strangely timeless.” Roberts decided that day in Miami that he had to bring this work to Seattle. With the kind help of Fanny Pratjojo, of Jakarta based FPA Gallery, now he has.
Featured Image: Visual Poetry installation at CoCA Belltown Gallery - photo by Danilo Bonilla
Added 04/06/2022
2009 CoCA Annual
Exhibition Dates: November 9 - January 9, 2010
Location: Shilshole Bay Beach Club / 6413 Seaview Ave NW
Juror: Jess Van Nostrand
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CoCA presents the 2009 Annual, a juried exhibition of work from emerging artists as well as established artists in a wide variety of visual media. The exhibit showcases the way in which contemporary artists, regardless of their location, share similar aesthetic concerns and conceptual approaches in a world of increasingly dramatic flux.
The Juror, Jess Van Nostrand, was Exhibitions Curator at Cornish College of the Arts and author of numerous essays and articles about the arts, including the popular "Artists' Guide to Seattle", published by the Seattle Convention and Visitors Bureau.
Added 06/18/2021
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Robyn Base, Nelson Bradley, Anne-Marie Cosgrove, Derek Cote, Thea Augustine Eck, Sally Finch, Valerie George, Kim Hennessey, Klaus Knoll and Cella, Zane Lancaster, Nate Larson and Marni Shindelman, Mario Marzan, Leigh Merrill, Patrick Moser, Yvonne Petkus.
A full color catalog of the exhibition, created by CoCA Publisher Ray C. Freeman, featuring an essay by Juror Jess Van Nostrand and statements and bios for all artists is available for purchase from the CoCA Museum Store.