
Mineral Acoustic Resonance (M.A.R.)
An Installation by Esteban Agosin Otero
Opens Saturday, October 18, 2025, 11am – 5pm
Followed by an Artist Talk at 5:00
Exhibition runs October 18 – November 22, 2025
image: Invisible Hydrographies 3, 2025, courtesy of the artist
M.A.R.
Continuing his exploration of nature, art, and machines, Esteban Agosin Otero brings Mineral Acoustic Resonance (M.A.R.) to Center on Contemporary Art (CoCA) a year after his previous outdoor installation M(ol)AR (2024). Both pieces are sound art installations that explore the use of organic materials for antennae. Otero’s new work continues the experimental design of antennae fabrication to amplify the sound territories emitted by electromagnetic fields. Seawater, rich in electrolytes, is again deployed as a conductive medium. As Otero describes it, “M.A.R. concerns the interaction between water, minerals, flows, communication and currents. Seawater functions as a conductor of electricity, a medium for capturing sound, and a bridge that binds places, signals, and memories with water and currents, weaving together sounds, images, and entities—blurring the boundaries between here and there, presence and transmission, the invisible and the inaudible.” In the installation at CoCA, amplified sound moves seawater particles, generating mechanical vibration, resulting in a very quiet sound, audible if visitors approach the membrane closely.
Esteban Agosin Otero
https://www.estebanagosin.cl
Mineral Acoustic Resonance (M.A.R.) Installation View
Esteban Agosin Otero
Esteban Agosin Otero is a Chilean sound and electronic media artist whose work explores the intersection of technology, ecology, and sensory perception. Originally from Valparaíso, Chile, he earned a Ph.D. in Digital Arts and Experimental Media (DXARTS) from the University of Washington in 2024. Currently, he serves as an Assistant Professor of Digital Art and Media at Stony Brook University in New York. Agosin’s artistic practice encompasses sound and media installations, robotic objects, and technological performances. His work often investigates how technology can provide new perspectives on natural, social, and political environments, aiming to reimagine and speculate about our surroundings. He has exhibited his work internationally, including in Chile, Argentina, Brazil, Colombia, the United States, Spain, Finland, Portugal, Germany and France.
CoCA and the artist gratefully acknowledge operational and programming support from the following organizations: