CoCA Digital Archive:

2000-2005

2000

Northwest Annual

Exhibition Dates: January 11 - March 15
Location: Belltown / 65 Cedar St, Seattle
Artists: Carol Adelman, Judy Allen, Rod Appleton, Ryan Berg, Christine Burgoyne, Dan Coleman, Ryan Davidson, Jennifer Gardner, Tatiana Garmendia, C. Blake Haygood, Richard Hutter, Doug Keyes, Henry Kiner, Ingrid Lahti, Marc Lawrence, Karen Liebowitz, Brad A. Miller, R. Eugene Parnell, Marion Peck, Polly Purvis, Ms. Timothy Ringsmuth, Joseph Robins, C. A. Scott, Joni Marie Theodorsen, Susan Tillit, Ken Turner, Matt Wainwright, Benjamin Wilkins, and Margaret L. Zydek
Juror: Mike Bidlo

  • A strong showcase for talent around the Pacific Northwest, the Northwest Annual event has been a "showcase for experimental work and emerging talent" since its inception in 1992. 2000's exhibition had Mike Bidlo, a conceptual artist famous for his work in appropriation art, as its juror.

    Added 5/15/2019

Destroy All Monsters

Exhibition Dates: July 14 - Aug 30, 2000
Location: Belltown / 65 Cedar Street
Curator: Larry Reid
ArtistsMike KelleyJim ShawCary Loren

  • For its 20th anniversary celebration, CoCA brought back curator Larry Reid, who had left in 1992. This exhibition offered a retrospective of Destroy All Monsters, a popular anti-rock band from Ann Arbor, MI, featuring two dozen works by band members and internationally acclaimed visual artists Mike Kelley and Jim Shaw with films by founder Carey Loren. The Seattle Weekly explained the content as “archival material of the 1970s Detroit-based band… Loren’s pseudo-documentary videos, photographs, posters and period artwork are on view, as well as two murals by Kelley and Shaw which complete a set of four which debuted at the Boyman’s Museum in Rotterdam in 1998 and a selection of Niagara’s bad-girl comix-influenced prints and paintings.”

    The show’s art historical value seems to be based on Kelley and Shaw’s early collaboration as part of this concept band (University of Michigan roots, then Detroit, then on to careers as well-known artists after California Arts Institute). The band played the opening. University of Washington English Professor Paul Remley played a role as panel moderator. Kelley had a Whitney solo show at the age of 40 in 1993. By 2000 he was a major figure.

    ARCHIVED WEBSITE PAGE (with loads of additional information including a vast calendar of events for the 20th anniversary celebration)

    Added 12/30/17

The New Prometheans: International Fire Arts Festivals

Exhibition Dates: October 1 - 7, 2000
Location: Magnuson Park at Sand Point in Seattle
Curator: Astrid Larsen, a Seattle-based Danish-American fire artist, also a founding member of Fire Drake Group.  Fire sculpture Championship Juried by Gunnar Karl Nilsson on October 7. Larsen had also curated the similarly-focused, single-day event Burningpoint three years earlier (see links below).
ArtistsPepe OzanKain Karawahn, Lars Barford, Warner and ConsortenTed Bachelor, John RoloffTrimpin (“Fire Organ”), David Hall, John Surbert, Bruce Hall, Bill Fitzgibbons

  • The New Prometheans event (performance, competition, spectacle) occurred over a week in early October at Magnuson Park (the former Sand Point Naval Air Station) and received widespread recognition as the first U.S. urban fire event featuring fire as a medium for art. (Larsen and CoCA had curated and produced a similar event called Burningpoint three years earlier, but it may not have occurred in an urban location.) Beginning four months in advance, CoCA sought submissions for a competitive event, seeking fire artwork that could “hold its integrity through all three burn stages, pre, present, and post ignition.” CoCA received a $20,000 grant from the National Endowment for the Arts for the pioneering work. Satellite lectures occurred at Nordic Heritage Museum (where curator Larsen would later exhibit sculptures in a three-person show in 2002) and Seattle Asian Art Museum (with Carl Smool and Crimson Rose, the former artistic director at Burning Man).

    Review: Anna Fahey, Caution: Flammable. Seattle Weekly, October 9, 2000

    Watch: Trimpin's Fire Organ

    Added 12/30/17

Out the Corner of An Eye

Exhibition Dates:
Location:
Curator: 
Matthew Kangas
Artist: Jerry Pethick

  • Jerry Pethick, a Canadian sculptor termed “the father of Canadian avant-garde,” brought his specialty of creating sculptures out of disparate found objects, seemingly at random, to the Center of Contemporary Art with his exhibition “Out of the Corner of an Eye.” He turned objects that were previously just tools in the engine of capitalism, such as office furniture and plastic crates, into thought provoking works of art. Pethick’s work asks the viewer to think less of a set meaning but to divine their own meaning from a collection of seemingly random objects. Only when we ignore all that which society asks us to think about art, only when we look at it from the corner of an eye, can we truly understand Pethick’s sculptures.

    Added 4/3/2019

2001

Northwest Annual

Exhibition Dates: May 25 - July 15
Location: 65 Cedar St, Seattle Juror: Michael Sweney

  • A strong showcase for talent around the Pacific Northwest, the Northwest Annual event has been a "showcase for experimental work and emerging talent" since its inception in 1992. 2001's exhibition had Michael Sweney, director of the Charles Cowles Gallery, as its juror.

    Added 5/15/2019

  • David Owen, Leah Reuben-Werner, Sarah Savidge, Inti St. Claire, Kelly Lyles, Jeane Meyers, Kris Rosendale, Natalie Niblack, Leslie Straka, Wanda Seamster, Amy Karol, Catherine Bell, Geoff Garza, Cara Jaye, Giffin/Sawyer, Steven F. Correll, Chris McMullen, Eric Olson, Cleo Wolfus, Jon Lonning, Graham Fracha, Arriba Stature, Mark Danielson, Patte Loper, Kelly Froh, Marulis, J. Rieder Hu, David Hartz, Tom Hall, Jack Daws, Hans d'Hallosy, Saul Becker, Jean Wortis, Don Hudgins, Hamid Zavareei, Dotti Gullickson, Angel Abren, Caroline A. Adams, Eugenia Harkless, Cynthia Gaub, John Jenkins III, Claudia Marchini, Rago Thomas, Lisa Rogers, Sharron Antholt, Damon Maxwell, Janet Essley, Robert Jones, Susan Tillit, Zane Mills, Henry Chamberlain, Reginald Brooks, Maki Hajikano, Ludt, Ingrid Lahti, Margie Livingston, Lisa Liedgren, Amali Fisch, Deleva, Mike Shea, Matt Held, Mitsuko Ikeno, Scott Wilson, Sally Bafill, K. McMahan, Bill Hess, Phil Rizzi, J. Thain, Linda Rudin Frizzel, Lisa A. Pounders, Minor/Freeswain, Piazza, Micheal Petro, Alex M. Oghe, Brendan Regan, Sally R. Dolak, Jan Lor, Camilla Dussinger, Marianne Fracis, Ruth Fernandez, Chrissa, Norma A. Adams, Emily N. Slaughter, Stephanie Alton, Susan Seubert, Bunting, Amy Kuhn, M. Schultheis, Daniel Wolf, Randy Warren, Marisa Favrette, Carrie Scanga, Maia Namtvedt, Katie Knight, Starr Wetzel, Andree Carter, Kirstin Krogh, Carolyn Strand, Robert Connell, Richard Singer, Seth Kupchick, Mary Josephson, Cathy Woo, Lynn Basa, Shawn Nordfors, Melissa M. Hesselbach, Gregory Grenon, Jenn Schwinberg, Matthew Porter, Carl Lierman, Jocelyn Boyea, Maija Fiebig, Lezli Morgan, Kim Brown, Mona J. Lang, Brandi Fairbanks, Lynn Wiley, Nancy Morrow, Carolyn Krieg, Matthew Dennison, Susan Dans, Ken Turner, Stephen Zimmerman, Anna Skibska, Robert Adams, Shannon Bowley, Deborah Beck, Suzanne Brooker, Elizabeth Ferrill, Cherie Gray, Tamara Lischka, Victoria Tchetchet, christ2000tm, Alex Staiger, K. Carnel, Dana Roberts, Amanda Kindrega, Chris Cole, Donald Cole, Richard Hutter, Hendrickson, Polly Purvis, Griggs, DBell, Dardinelle Troen, Piatanova, Karen Liebowitz, David Kessler, Layne Kleinart, Elizabeth Stanek, Richard Budd, Brian Wallace, Kris Rosendale, James Willis, Lynne Magnuson, Ross Redcrow, Donal Cole, M. A. Papanek, Arthur S. Aubry, Stephen

2002

Northwest Annual

Exhibition Dates: June 1 - July 13, 2002
Location: 1420 11th Avenue in Seattle's Capitol Hill neighborhood
Juror: Linda Farris

  • Linda Farris' bio stresses her direct involvement in the Contemporary Art Project (CAP) founded in 1999 to curate international art and gift it to Northwest Museums (a selection was exhibited at CoCA in 2000) as well as her career as a gallerist for 25+ years. According to one anonymous review, Farris "...usually picked work that was either created by women or made comment on issues that are more likely to be raised by a woman" (NW Scuttle, July 22).

    Regarding the exhibition (more than Farris, whom he does not mention), art critic Matthew Kangas observed that “In 2002, CoCA's board decided to junk the regional focus and open up the competition nationwide. Was it worth forsaking the 74-year-old tradition?" Prizes went to emerging artists as NW Scuttle noted.

    In her own statements, Linda mentions her admiration for prizewinner Lisa Liedgren’s paintings, in which she detected “a contradiction of ultimate control and a random grid system. Spontaneity and the ultra technical combine to present a new idea about beauty. The yellow color was inspired by German artists Wolfgang Laib’s extraordinary installation at the Henry gallery.” Laib has shown at the Henry Art Gallery at the same time and influenced numerous artists in the community.

    Second prize winner Ayo impressed her from the slides (almost obsolete by that time), with work dealing with “race and bigotry to convey a kind of personal emotional thrust that rivets the viewer.

    Review: Matthew Kangas, "Seattleites are standouts in otherwise flat CoCA Annual," Seattle Times, December 8, 2006

    Added 12/30/17

  • Artists: Mary Henry, Donabelle Casis, Larissa Brown (Portland, OR), Jacqueline Ehlis (Portland, OR), Damali Ayo (Portland, OR), Jack Daws, Mark Danielson, Harrel Fletcher, Katy Stone, Evelyn Donnelly, Lisa Liedgren (1st prize), Paul Berger, Sally Banfill, Gretchen Bennett, Lisa Darms, Jacqueline Ehlis, Kelsey Fernkopf, Tomiko Jones, Shango Los, Thuy Van Vu Nguyen, Cathy Sarkowsky, Eugenie Tung, Eva Skold Westerlind, Brandon Zebold, Amanda Young, Thinc Ice, and Patte Loper.

    Prizes: First, Lisa Liedgren. Second, Damali Ayo.

    Musical guests: Mambo Nine and The Gothic Cheerleaders

Blurred

Exhibition Dates: Aug 3 - Sept 13, 2002
Location: 1420 Eleventh Avenue in Seattle's Capitol Hill neighborhood
Curators: John N Bohn & Kai-Uwe Bergamann, architects

  • Curated by John Bohn and Kai-Uwe Bergmann, two architects interested in the cross-over with contemporary art (see Hal Foster’s The Art-Architecture Complex, Verso 2011), Blurred showcased the work of artists working in teams with an experimental approach to site specificity and installation. Writing for the Seattle Times, former Henry Art Gallery curator (and later Chair of Visual Art at Washington State U) Chris Bruce raved that he could not “remember when I have seen a show that excited me this much.” (Seattle Times, September 6, 2002)

    In conjunction with the exhibition, Marlow Harris of Seattle Dream Homes led architectural tours around Seattle.

    Images of SHED's Installation

    Added 12/30/17

  • ABBP.M (Daniel Ayars, Joseph Bausano, Blaine Brownell Eric Phillip, Craig Matheny), Iole Alessandrini, Michelle Arab, Mike Barrette, Michael Culpepper, Marc Dombrosky, James Harrison, John Jenkins III, Mark Johnson, Lead Pencil Studio (Annie Han, Daniel Mihalyo), r-b-f Architecture (Ziad Shebab, Tristin Pagenkopf, Tim Rohleder, Mark Adams, Kent Greene, Andrew Borges, Julia Egonolf, Eric Baldwin, John Fleming), Alex Schweder, SHED (Prentis Hale, Thomas Schaer, Scott Carr, Damon Smith), and Philip Thiel.

Octet: Reilly Jensen & Otto Youngers

Exhibition Dates: November 7 - 14, 2002
Location: 1420 Eleventh Ave
Artists: Reilly Jensen, Otto Youngers

  • Octet featured four sets of two up and coming artists' works. In this case, Reilly Jensen and Otto Youngers had an exhibition together. Reilly Jensen specialized in crafting paintings that allowed her to "deal with [her] ever changing emotional landscape," seeking to explore the "struggle between [her] heart and [her] head and ultimately who gets to be the boss." Otto Youngers specialized in creating sculptures that he considered "intricate narrative epics that speak of human nature and provide interest and intrigue regardless of background." Many of his sculptures are made of wood, so that he can "transform its dead cellular molecular structure to create a new life form." Neither Youngers nor Jensen’s work at this exhibition appeared to meet much traction in the press, with the only notable mention being an extremely brief, two sentence entry in the Stranger’s visual arts listing.

    Added 5/13/2019

2003

Pilchuck Glass School

Exhibition Dates: June 19 - July 18, 2003
Location: Belltown / 65 Cedar St, Seattle 

  • The Pilchuck Glass School teaches students from all over the world how to use glass in their art in effective, inventive, original ways. Founded by world renowned sculptor Dale Chihuly in 1971, the school teaches courses in areas such as glassblowing, kiln-casting, flameworking, and engraving. In 2003, a variety of students at the school had their work shown in an exhibit at CoCA, which was described by Stranger writer Emily Hall as causing her to “overcome her loathing of glass trinkets.”

    Added 4/15/2019

  • Linda Beaumont, Brian Bolden, Cassandria Blackmore, Rafael Cauduro, John De Wit, Susan Taylor Glasgow, Judy Jensen, Fay Jones, Stuart Keeler, Susie Krasnican, Thomas Laureman, Robbie Miller, Jason Mouer, Rie Oishi, Wonjoo Park, Timothy Ringsmuth, Carmen Ruiz-Davila, Elizabeth Sandvig, Jeffrey Sarmiento, Judith Schaechter, Therman Statom, Dragica Susanj, Dick Weiss, Josh Werner, Mark Zirpel

2004

Neoqueer

Exhibition Dates: February 18 - March 21, 2004
Location: 410 Dexter Avenue N, Seattle 98109
Curators: College Art Association members (Queer Caucus for Art) David Lloyd Brown, Maura Reilly and Craig Houser

  • From the CoCA press release: “David Lloyd Brown is a visual artist, educator, and Coordinator for Graduate and Academic Programs at the School of the Museum of Fine Arts, Boston. Maura Reilly is the Elizabeth A. Sackler Curator for Feminist Art at the Brooklyn Museum of Art. Craig Houser, a Collaborative Programs Research Fellow at the City University of New York, is a freelance critic and curator. He was formerly an Assistant Curator at the Guggenheim Museum.”

    Clearly linked to CoCA’s pioneering earlier exhibitions, From Media to Metaphor (1994) and Gender:Fucked (1996), Neoqueer demonstrated CoCA’s ongoing commitment to displaying art by LGBQT artists. Seemingly intentionally timed to coincide with the College Art Association’s presence in Seattle (at a conference, presumably), Neoqueer sought to bring marginalized identifies to the mainstream and as such anticipated much of the decade that would follow. According to curator Reilly, the exhibition “explored the complexities of contemporary queer art production by offering a broad sampling of work made by queer artists, be they gay, lesbian, bisexual, transgender, or queer-identified heterosexuals.” The curators also formulated poignant questions, situating their work in the context of the preceding decades:

    Must queer art production be blatantly political, as was often argued in the 1980s and 1990s? Or can and should we be satisfied with literal, metaphoric, or symbolic queer content? How does a queer transgendered body further the issues raised by artists who explored gender deconstruction that was so prevalent in 1980s and 1990s artistic production?

    Reviewing for the local Seattle Post-Intelligencer, Regina Hackett observed that while the theme had perhaps been explored previously (e.g., by CoCA), it was nevertheless “eccentrically offbeat and oddly lovable.” The exhibition featured 45 emerging and established artists from the region and New York.

    PDF of CoCA's Press Release announcing the exhibit

    Exhibition announcement in CAA Newsletter (page 15)

    Seattle Times review by Tina Potter

    Seattle Post Intelligencer review by Regina Hackett

    Additional Images found on archived website

    Added 12/22/17

  • Ron Athey, Robert Beck, Nayland Blake, Kau[] Brooke, Tania Bruguera, Julie Burleigh, Loren Cameron, Tee A. Corinne, E.G. Crichton, Alejandro Diaz, Laurie Toby Edison, Daphne Fitzpatrick, K. Goodburn, John Groo, Barbara Hammer, Harmony Hammond, Lyle Ashton Harris, Karen Heagle, Bruce La Bruce, Glenn Ligon, Karin Luren, Sallie McCorly, Ann P. Meredith, Carrie Moyer, James Nadeau, Alexandra Opie, Uzi Parnes, Mary Patten, Sheila Pepe, Danica Phelps, Ernesto Pujol, Adam Putanan, Robert Repinski, David Addison Small, Mary Ellen Strom, Toxic titties, Carmelita Tropicana, Ela Troyano, Del LaGrace Volcano, John Waters, Patrick Webb, and Jonathan Weinberg.

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